OOLLUU live @ Bar Open 4th Nov 2017

I’ve seen many a live show since my last live review many moons ago and while there have been some great shows none have inspired me to put pen to paper (metaphorically speaking) so I can tell the everyone willing to listen about what I witnessed.
There were 4 acts in total on the bill this night but I was there to see one & one only and that was OOLLUU. I had seen these guys once before opening for another great act Glasfrosch and was thoroughly impressed but that was a mighty long tome ago. Were they really as good as I remember…? Would they live up to my expectations…? Well to say that my memory served me correct and that they lived up to my expectations would be an understatement. They were ginormagantuanly, fantasmagorically amaze balls!
OOLLUU play a style of music that I really don’t know how to describe. It’s electronic, but it’s heavy. It’s rock music, but there’s no guitar. It’s intense, but it’s poppy and danceable. There’s many contradictory elements in their music and things that probably shouldn’t fit together that somehow seem to blend wonderfully well and create a soundscape that will leave you on a euphoric high once it’s over.
Playing to a crowd of roughly 50 people on a “stage” that barely fit the band on it the performance these guys put on was a thing to behold. Stage right was Bassist Davarj who in his mind I’m sure was playing to a sold out crowd at Wembley Stadium or Madison Square Garden. Stage left you have Ehsan on Synths (“fluent in 3 languages… Linux, IOS and Windows”) who while is somewhat restricted in movement was no less a giving it his all. The interaction between these 2 “frontmen” of the band was fantastic and a joy to watch. The smiles on their faces as they were playing evidence of just how much they were enjoying themselves. Lastly, hidden from view slightly was Drummer Ben Crook who was driving the band like his life depended on it.
Sure there were a couple of little mistakes, but the crowd most certainly didn’t mind (or probably even notice) and I’m sure these guys gained a few more fans on the night. 

There were 2 more bands on after OOLLUU and while I’m sure they put on admirable performances I didn’t stick around.

Some April gig highlights

Well as always it's been a great month of gig going in Melbourne town and there's been some doozys! (yes I did just use the word doozys) where to start, where to end, who to include and who to leave out? I am without a doubt going to forget something/someone but here's a short list of the stuff I can remember off the top of my head.

Z-Star Delta
Style: Psychedelic-Acoustic-Blues-Rock
 

Hailing from the UK this duo know how to paint a picture with and take to you on a journey with their storytelling style lyrics. Using loops and effects to build layers of interweaving sounds which help you visualize the images the songs convey this was their 2nd tour of OZ in as many years and I was stoked to finally catch them as I had only seen the flyers for their last tour after the fact. Think of what The Doors might sound like if Jim had a drum kit in front of him while Robby played his bottleneck style blues licks and you might get an idea of what they sound like. Hopefully they will be back sooner rather than later and they will get noticed by much larger audience. Miss them at your peril!

Lachy Doley
Style: Progressive Blues, Rock and Soul

I've lost count of how many times I've seen Lachy doing his thing at Bar 303 in Northcote. There was a bit of a question mark hanging over this show as although Lachy has been doing shows at 303 for around five years or so the last few
shows have been slightly down in attendance so he was pre-selling tickets this time around and had to sell at least 50 of them for the show to go ahead. Thankfully he did and the show did go ahead. He's played with the likes of Jimmy Barnes, Mahalia Barnes, Powderfinger, The Dead Daisies and even former Deep Purple bassist Glenn Hughes has specifically asked for his services. Playing the only whammy clavinet known to exist in Australia his croaky vocal drawl was used to full effect as always. As many times as I have seen him play he always gives his all and always wins over new fans at the night and this time around was no different. People were lining up at the end of the gig to buy his CD's and to say how much they enjoyed his show. Why he is not playing sold out shows to rooms of a much larger capacity stills boggles the mind.

Backwood Creatures
Style: Jamming Swamp Blues

Wahooooooo what a ride that was! You know a band is good when they are jamming on stage and it all sounds pre-planned. Although all 3 members of the band are smoking hot musicians the highlight for me was Grant Cummerford playing is Bass as if he was the lead guitarist. While it's not unheard of for the bass to be used as a lead instrument I've never seen it played in quite this way before. This may have been my 1st time seeing these guys play but it most certainly won't be the last.

Kumar Shome
Style: Stunt Guitar Instrumentals

Not the 1st time I've seen Kumar play but the 1st time I've caught him playing his own tunes. I'm guessing that Kumar has not heard the saying "the notes you don't play are just as important as the ones you do" because I think he played every note known to man in every combination possible during the 60 or so minutes he was on stage. Now this may sound horrible to some people but as a kid who grew up worshiping the playing of people like Joe Satriani, Steve Vai, Eddie Van Halen and their like this was like being transported back 20 years and watching the fingers of these guitar heroes in wide eyed wonder. All this being said make no mistake, even though the guitar wankery factor was turned up to 11 Kumar still knows how to play with feel and know which notes to play and which notes not to. This was by no means a free for all and composition was/is still king in his musical ethos. Special mention also to the 2nd guitarist in the band Mickey Chan who also got to show off his shredding skills.

Well there's just 4 of the many shows I did attend and while I have been on a bit of a blues rock kick as of late I still subscribe to the theory of there are only 2 types of music, good and bad, regardless of what genre label you choose to attach to them. With the Melbourne International Jazz Festival and the Stonnington Jazz Festival just around the corner I imagine the shows I will be talking about in the coming months will be of a different style.

Live Review: The Queenscliff Blues Train 16 May 2015

The Blues Train Engine

I've been meaning to get to the Queenscliff Blues Train for a little while now and yesterday I finally got around to taking the 2 hour drive from Melbourne to check it out.
I had seen/heard 2 out of the 4 Artists on the line up (Jimi Hocking and Andrea Marr) so I knew I was going to enjoy at least half of the acts that were playing, but I was hoping that I would learn some new names that I could also look out for around town.

Once again I needn't have worried as my (high) expectations were met in spades. I started off in carriage D which is known as the dancing carriage seeing as there is no seating. As the train took off for the journey Andrea Marr and her band kicked things off with their brand of funky soulful blues sou
nds which had the small Carriage D crowd shaking their booty's to the tunes. A pocket rocket who's sassy vocal stylings were are perfectly suited to what is expected of Carriage D riders. Special mention has to be made of the guitarist in the band (who's name I can't remember) who despite his amplifier playing up and cutting out halfway through a guitar solo managed to keep his cool get it sorted and then continue playing.

Andrea Marr

After the 1st stop and the opportunity to top up my drinks bucket it was onto carriage A where Brian Fraser and Wayne Jury were playing. After the boogie worthy performance that Andrea Marr delivered on Carriage D it was good to have the opportunity to just sit back and enjoy the music. Performing a mix of well known Blues classics as well as some slightly lesser known numbers intermingled with some originals it was an absolute treat to see these guys up close in such an intimate setting. Being a big fan of the slide and resonator guitar sounds I was on cloud 9 watching these guys do their thing. The interplay between them was just brilliant and Wayne's singing was perfectly suited to the what they were delivering. As the train came to it's 2nd stop for the night I heard someone comment that it would have been worth the price of the ticket for Brian and Wanyne's performance alone and I couldn't agree more.

John McNamara

Onto carriage B to catch John McNamara another name I had not heard of before. John was the 2nd of the 4 performers on the night that I had not heard of before and once again I was keen to find out what he was all about. Performing solo with one acoustic guitar and a couple of effects pedals I was completely blown away by John's playing and singing. As everyone was boarding and taking their seats I was watching John noodling away and thought to my
self "this is definitely going to be good."
Just before the train took off again we were advised that for this part of the journey it was recommended we all remain seated as it's mostly a downhill ride and the train picks up quite a bit speed as it's travelling. Unfortunately not everyone heeded this advice and one woman who decided to stand up in the tiny empty space in front of John ended up losing her balance and falling on him and almost knocking him off his feet also. After picking herself up with a little assistance from security John managed to carry on unfazed (how's that for professionalism?). Highlights of this performance would have to have been his version of the Etta James classic Damn Your Eyes. I couldn't help but grab a copy of his CD as the train once again came to it's final stop for the night before the end of the ride.

Onto carriage C to catch the inimitable Jimi Hocking and his Blues Machine...

Jimi Hocking

Well what can I possibly say about Jimi that has not been said before? A veteran of the Australian music scene sinc
e the 80's a Jimi Hocking performance is something that is guaranteed to be entertaining. With a sense of humour to match the best stand up comedian and nimble fingers that are enough to make any budding guitarist seriously think twice about pursuing their chosen profession, Jimi is the ultimate rock 'n' roll nice guy. Quite simply if you are a fan of rock music and a fan of the blues and you have never caught a Jimi Hocking show then you are doing yourself a disservice and should waste no time in catching one of his gigs around town.
Overall the night has got to go down as one the highlights of my 2015 gig going experiences and there have been many already!

Live Review: Women Of Soul Album Launch

                                                Women Of Soul @ Shadow Electric
                                                          Saturday 11 Apr 2015

Wowzers! Just... Wowzers! What can I possibly say about this night? I knew this was gonna be a good show but... goddam this was a GOOD show. This is not the 1st time I have been to a Women of Soul gig (and it will most certainly not be the last) . Each one I have attended has been no less than great but they really outdid themselves this time around.

For the uninitiated a Women Of Soul show is a revue style performance whereby each vocalist sings 2 or 3 songs backed by the same group of musicians. Christina Perfection of the Perfections kicked off proceedings and practically tore the roof off the venue with her banshee like vocal stylings. Once everyone was whipped into a frenzy after Christina’s performance you could be forgiven for thinking “how the hell is anyone else going to follow THAT?!” Well the great thing about a W.O.S. show is that each singer has their own distinct style which all tie in perfectly with each other so there’s no need for anyone to try to top or compete with the previous performer.

As with the Women Of Soul album the show was the perfect balance between funky and danceable numbers and heartbreaking ballads and it was great to see/hear these songs come to life in a live setting. Any attempt at pointing out highlights from the show would be an exercise in futility seeing as, with a production of this caliber, the whole show is a highlight. Each and every one of these singers is a great talent in their own right which is proven by the fact that they each lead their own bands.

It should also be mentioned that the band backing the singers on the night were seriously smoking. Made up of some of Melbourne’s finest they were one finely tuned machine playing the songs as if they had been playing them for years. 5 years on and things are only just getting started for Women Of Soul. Big things are afoot for these ladies catch them now while you can and before they start selling out major venues around town.

Live Review: Roy Ayers @ Bennetts Lane

 Roy Ayers @ Bennetts Lane (3rd show) Monday 23 February

It had been a mighty long time since I last attended a gig at what is probably the best known Jazz venue in Melbourne, Bennetts Lane. I have always been a fan of Jazz even though I have never really actively sought out Jazz recordings or listened to Jazz on the radio. That has all changed recently and the more I hear of the genre the more I want to hear. So when the opportunity presented itself to see one of the modern Jazz greats in an intimate setting I jumped at the chance.

The crowd was lining up early to get prime position in the small club. Once inside and the band took the stage it did not take long to realise that we were going to be in for one hell of a show. To quote one Steve Wonder "Just because a record has a groove. Don't make it in the groove. But you can tell right away at letter A When the people start to move." And move they did!

The band were seriously in the pocket, to say they were tight would be a serious understatement. They played with the type of feel that only comes from years of playing and learning your instrument inside out. It was also vividly obvious just how much they were enjoying themselves which in turn seemed to infect the whole crowd. The music ranged from the smoothly sublime to the downright funky and even though my personal taste is more towards the funky scale I loved every second of this show. There was a strange “Danoz Direct” type segment during the middle of the show which was somewhat cringeworthy but thankfully that did not last long and the band were soon back to playing at their white hot best.

Special mention has to be made of the rhythm section who I feel stole the show. The drumming especially was just crazy good. At the end of the night I left the venue smiling from ear to ear as I'm sure just about everybody else did also. The only thing left to say is if you are a jazz music fan you don't know the name Roy Ayers then learn it!! In the meantime I'm off to track down his back catalog.

Album Review: Women Of Soul

Artist: Women Of Soul (Various)

Release: Women Of Soul

Style: Soul

OK so this is by no means a new discovery and it’s been reviewed by others before me but this album will almost certainly be in my top 5 2015 releases at the end of the year so…
I had been eagerly awaiting this release since I heard about the project in late 2014. I have heard each of these singers previously doing their own thing and so I knew roughly what to expect but hot damn these tunes are catchy! The album starts off with the Candice Monique tear jerker “Beautifully Broken Heart” who up until very recently I was not overly sold on. I’ll now say I am not only sold but am left wondering how I could have previously thought she was anything other than awesome.  The 1st half of the album continues along the same lines with mellow tunes delivered with some serious soul that will have you swaying to the groove the deliver. Sassiness is the name of the game for the 2nd half of the album delivered in inimitable style by Christina Perfection, May Johnston & Rita Satch that will get you up out of your chair and dancing around the house while singing into a hair brush (or whatever else is at at hand). This is a great collection of tunes from some of Melbourne’s finest female singers and hopefully this is just the 1st of many more to come. Credit also has to be given to the band backing the singers who are top notch and without who this album would most definitely not have been of the calibre it is. Once again what I am essentially getting at is that if you don’t have this album in your collection already then you should waste no time in getting it. 

Preview 2 songs from the album and purchase it from:
http://womenofsoul.bandcamp.com/album/women-of-soul