Top 10 Full length releases of 2016

It's that time again where we look back on the year that was and try to sift through the countless releases to try work out what we enjoyed most. This year was a little more difficult than others seeing as they were countless good releases which I enjoyed but I wanted to find the stuff that more than just good but a classic that will live up to repeated listening and at the end of next year I will still be listening to. So here it is the top 10 full length releases as chosen by one half of the Connections team:

Joe Bonamassa - Blues of Desperation

 Joe Bonamassa - Blues of Desperation

It’s Joe Bonamassa doing what he does best. One of the many keepers of the flame of so called modern blues he keeps championing the genre pushing boundaries and paying tribute to the masters and does it all effortlessly

Leonard Cohen - You Want It Darker

 Leonard Cohen - You Want It Darker

He gifted us with one last album just weeks before his death. Admittedly I have never been his biggest fan but this album is flawless from start to finish.

Kylie Auldist - Family Tree

  Kylie Auldist - Family Tree

Everyone’s favourite funk/soul songstress goes 80’s pop on this release. What’s there not to like about this…? released just as This Girl (which is actually a Cooking on 3 Burners tune, let’s not forget that) was becoming a mega hit the timing could not have been more perfect

Justine Yap Band - Let Love

Justin Yap Band - Let Love

Soulful blues from local Melbourne band this album is an absolute pleasure to listen to and has been getting regular spins ever since I got my hands on it.

Matty T Wall - Blues Skies

Matty T Wall - Blue Skies

While many of todays blues artists leanings are much more towards the the rock side of the blues, Matty’s are slightly more geared towards the funkier side of the blues. A very strong debut release which has been getting noticed the world overfor good reason

Dr Albert Flipout's one CAN band -
Don't you call my name

Dr Albert Flipout's one CAN band -
Don't you call my name

My favourite one man band does it again. Look past the initial novelty factor and you will quickly realise that this is a great songwriter who knows his craft & can write some serious choons 

Full review here

Marta Ren & the Groovelvets - Stop Look Listen

A funky soul release that sounds like it could have been released n the STAX label sometime in the mid 60’s. The Italy based Record Kicks label continue to release fantastic records that will fill the floor with people doing their best Northern Soul dance moves

Oz Noy - Who Gives A Funk

Oz Noy - Who Gives A Funk

Collaborations abound on this release by Oz Noy who’s guitar virtuosity is up there with the best of them but he still knows the golden rule of “The Song Is King” Oz is a jack of all genres & a master of all of them. The title of this release says it all

Child - Blueside

 Child - Blueside

Psych blues rockers Child pick up where they left off with their debut release & it’s everything you could expect it to be. If they continue releasing music of this calibre it won’t be long before they start getting noticed in a big way outside the land of OZ

Back In Blue - A Blues Tribute to AC/DC

 Various Artists - Back In Blue - A Blues Tribute to AC/DC

A who's who of somewhat lesser know Australian artists (i.e. you won't find them being played on mainstream radio or on Sunday morning music TV programs) come together to pay tribute to perhaps the best known & best selling Australian album & all for a good cause.

Full review here

Well that's my list as it stands today, ask me tomorrow and it may be completely different. There's more than a few "honorable mentions" I could list but that may be a list for another time. 

Interview: Ty Taylor of Vintage Trouble

Ty Taylor of Vintage Trouble took some time to speak about the upcoming shows in Australia and you can listen to the interview here

Live Review: The Queenscliff Blues Train 16 May 2015

The Blues Train Engine

I've been meaning to get to the Queenscliff Blues Train for a little while now and yesterday I finally got around to taking the 2 hour drive from Melbourne to check it out.
I had seen/heard 2 out of the 4 Artists on the line up (Jimi Hocking and Andrea Marr) so I knew I was going to enjoy at least half of the acts that were playing, but I was hoping that I would learn some new names that I could also look out for around town.

Once again I needn't have worried as my (high) expectations were met in spades. I started off in carriage D which is known as the dancing carriage seeing as there is no seating. As the train took off for the journey Andrea Marr and her band kicked things off with their brand of funky soulful blues sou
nds which had the small Carriage D crowd shaking their booty's to the tunes. A pocket rocket who's sassy vocal stylings were are perfectly suited to what is expected of Carriage D riders. Special mention has to be made of the guitarist in the band (who's name I can't remember) who despite his amplifier playing up and cutting out halfway through a guitar solo managed to keep his cool get it sorted and then continue playing.

Andrea Marr

After the 1st stop and the opportunity to top up my drinks bucket it was onto carriage A where Brian Fraser and Wayne Jury were playing. After the boogie worthy performance that Andrea Marr delivered on Carriage D it was good to have the opportunity to just sit back and enjoy the music. Performing a mix of well known Blues classics as well as some slightly lesser known numbers intermingled with some originals it was an absolute treat to see these guys up close in such an intimate setting. Being a big fan of the slide and resonator guitar sounds I was on cloud 9 watching these guys do their thing. The interplay between them was just brilliant and Wayne's singing was perfectly suited to the what they were delivering. As the train came to it's 2nd stop for the night I heard someone comment that it would have been worth the price of the ticket for Brian and Wanyne's performance alone and I couldn't agree more.

John McNamara

Onto carriage B to catch John McNamara another name I had not heard of before. John was the 2nd of the 4 performers on the night that I had not heard of before and once again I was keen to find out what he was all about. Performing solo with one acoustic guitar and a couple of effects pedals I was completely blown away by John's playing and singing. As everyone was boarding and taking their seats I was watching John noodling away and thought to my
self "this is definitely going to be good."
Just before the train took off again we were advised that for this part of the journey it was recommended we all remain seated as it's mostly a downhill ride and the train picks up quite a bit speed as it's travelling. Unfortunately not everyone heeded this advice and one woman who decided to stand up in the tiny empty space in front of John ended up losing her balance and falling on him and almost knocking him off his feet also. After picking herself up with a little assistance from security John managed to carry on unfazed (how's that for professionalism?). Highlights of this performance would have to have been his version of the Etta James classic Damn Your Eyes. I couldn't help but grab a copy of his CD as the train once again came to it's final stop for the night before the end of the ride.

Onto carriage C to catch the inimitable Jimi Hocking and his Blues Machine...

Jimi Hocking

Well what can I possibly say about Jimi that has not been said before? A veteran of the Australian music scene sinc
e the 80's a Jimi Hocking performance is something that is guaranteed to be entertaining. With a sense of humour to match the best stand up comedian and nimble fingers that are enough to make any budding guitarist seriously think twice about pursuing their chosen profession, Jimi is the ultimate rock 'n' roll nice guy. Quite simply if you are a fan of rock music and a fan of the blues and you have never caught a Jimi Hocking show then you are doing yourself a disservice and should waste no time in catching one of his gigs around town.
Overall the night has got to go down as one the highlights of my 2015 gig going experiences and there have been many already!

Live Review: Nyawlins Piano @ Huey Long’s

Performed by: Adam Rudegeair (Piano) & Daimon Brunton (Trumpet)

Ever wanted to know what the music would have sounded like in prohibition era New Orleans but don’t have a Delorian automobile with a flux capacitor? Well wonder no more, all you have to do is catch a gig by Adam & Daimon & you will very quickly be transported to back to this very era. 

The highest compliment I can pay these guys is that seeing them play once was not enough I had to catch multiple performances (3 in total from memory). From the very first tinkling of the ivories to the last note of the muted trumpet you can see that these guys have lived & breathed & studied this music & understand it as very few can. Throughout the two 45-ish minute sets performed you could almost imagine what it would have been like in the Storyville red light district saloons of the crescent city. Adam plays stride style piano (amongst other styles) on the resident upright piano like he was born to do it. 

The honky sound of this piano, it has to be said, lends itself perfectly to this style of music also. It would be difficult if not impossible to imagine Mozart/Beethoven/Chopin etc being played on this instrument. Further adding to the whole New Orleans feel & atmosphere was Daimon’s whooping, stomping, hollaring & thumping on the Bass drum sitting on top of the piano (which was later wrestled to the ground). Throughout the performance the small crowd in attendance were loving the performance. 

If you’re a fan of New Orleans style jazz check these guys out & while you’re there order yourself a Catfish Po’ Boy. I can assure you, you wont regret it.

Live Review: Roy Ayers @ Bennetts Lane

 Roy Ayers @ Bennetts Lane (3rd show) Monday 23 February

It had been a mighty long time since I last attended a gig at what is probably the best known Jazz venue in Melbourne, Bennetts Lane. I have always been a fan of Jazz even though I have never really actively sought out Jazz recordings or listened to Jazz on the radio. That has all changed recently and the more I hear of the genre the more I want to hear. So when the opportunity presented itself to see one of the modern Jazz greats in an intimate setting I jumped at the chance.

The crowd was lining up early to get prime position in the small club. Once inside and the band took the stage it did not take long to realise that we were going to be in for one hell of a show. To quote one Steve Wonder "Just because a record has a groove. Don't make it in the groove. But you can tell right away at letter A When the people start to move." And move they did!

The band were seriously in the pocket, to say they were tight would be a serious understatement. They played with the type of feel that only comes from years of playing and learning your instrument inside out. It was also vividly obvious just how much they were enjoying themselves which in turn seemed to infect the whole crowd. The music ranged from the smoothly sublime to the downright funky and even though my personal taste is more towards the funky scale I loved every second of this show. There was a strange “Danoz Direct” type segment during the middle of the show which was somewhat cringeworthy but thankfully that did not last long and the band were soon back to playing at their white hot best.

Special mention has to be made of the rhythm section who I feel stole the show. The drumming especially was just crazy good. At the end of the night I left the venue smiling from ear to ear as I'm sure just about everybody else did also. The only thing left to say is if you are a jazz music fan you don't know the name Roy Ayers then learn it!! In the meantime I'm off to track down his back catalog.

Album Review: Flame - Queen Of The Neighbourhood

Artist: Flame

Release: Queen Of The Neighbourhood

Style: Blues Rock

Well hot diggity damn! how did this one escape my notice until now? This is about as Rock n Roll as Rock n Roll music gets, it's 70's Rock n Roll the way it should be played. If you like your music loud and guitar driven with a definite blues flavour (which I most definitely do) then this release will be right up your alley.
Flame is a band that could've, would've, should've been the successors to the 70's Rock throne held by bands like Aerosmith, Alice Cooper and Kiss before them. Unfortunately it was not to be for whatever reason and the band broke up after only 2 albums (Singer Marge Raymond says "Flame would have been a huge band if not for all the BS behind the scenes that had nothing to do with the band"). Time seems to have forgotten all about these guys which is a downright shame because the 2 albums that they did release in the late 70's are nothing short of brilliant. Produced by Jack Douglas who worked extensively with Aerosmith in the 70's and featuring Jimmy Crespo on Guitar (who would later go on to join Aerosmith) their debut album is a statement that this band can stand toe to toe with any other headline act of their time and easily hold their own. In fact given the state of the
aforementioned bands in the late 70's I'm sure Flame would have blown them off the stage.
Jumping out of the starting gates with the galloping shuffle that is Beg Me this is an album that immediately grabs you by the scruff of the neck and demands you pay attention. Marge Raymond with her husky, gravelly, whisky soaked voice and an attitude reminiscent of Suzi Quatro and Janis Joplin delivers these songs in a manner that shows she knows what Rock n Roll is all about. She is certainly no amateur and in fact is quite possibly the quintessential female Rock n Roll vocalist. Never reissued in any form these albums are just screaming for the deluxe reissue treatment, preferably with an extra disc consisting of the recordings Marge did post the break up of Flame with Jimmy Crespo and Joey Kramer of Aerosmith, if someone knows how to make this happen then you
would have one very happy radio show host.

Album Review: Women Of Soul

Artist: Women Of Soul (Various)

Release: Women Of Soul

Style: Soul

OK so this is by no means a new discovery and it’s been reviewed by others before me but this album will almost certainly be in my top 5 2015 releases at the end of the year so…
I had been eagerly awaiting this release since I heard about the project in late 2014. I have heard each of these singers previously doing their own thing and so I knew roughly what to expect but hot damn these tunes are catchy! The album starts off with the Candice Monique tear jerker “Beautifully Broken Heart” who up until very recently I was not overly sold on. I’ll now say I am not only sold but am left wondering how I could have previously thought she was anything other than awesome.  The 1st half of the album continues along the same lines with mellow tunes delivered with some serious soul that will have you swaying to the groove the deliver. Sassiness is the name of the game for the 2nd half of the album delivered in inimitable style by Christina Perfection, May Johnston & Rita Satch that will get you up out of your chair and dancing around the house while singing into a hair brush (or whatever else is at at hand). This is a great collection of tunes from some of Melbourne’s finest female singers and hopefully this is just the 1st of many more to come. Credit also has to be given to the band backing the singers who are top notch and without who this album would most definitely not have been of the calibre it is. Once again what I am essentially getting at is that if you don’t have this album in your collection already then you should waste no time in getting it. 

Preview 2 songs from the album and purchase it from:
http://womenofsoul.bandcamp.com/album/women-of-soul