Showing posts with label dancemusic. Show all posts
Showing posts with label dancemusic. Show all posts

Sunday, 31 December 2017

Top 5 new discoveries of 2017

I've already listed my top 10 releases for the year here but now it's time to mention those Artists who either didn't release anything in 2017 or their releases didn't quite make my top 10 list but who still impressed me.
Without further ado and in no particular order here are my Top 5 new discoveries for 2017.


Ibrahim Maalouf is a trumpeter born in Beirut, Lebanon and living in France. He has been recording for other artists since the early naughties but released his 1st solo album in the mid naughties. His name is very well known in France and somewhat well known outside of France. Playing primarily Jazz and Funk his music will transport you or make you want to get up and shake your money maker.
This collaboration with Rapper Oxmo Puccino is the song that introduced me to his music. Thanks to my good friend Alex P. for putting it on in class earlier in the year. 



Electro Deluxe are another French band who were once again introduced to me by friend Alex P. (thanks for sending the link through buddy) Funk, Soul, Big Band, Nu Jazz call their music what you want but personally I call it happy music made for dancing, I'm sure you'll agree. Here's the song that introduced me to them:





Kelly Auty  is a name many Australian music fans will already be familiar with and while I had heard her name been mentioned by many people in the past it wasn't until a few months ago when I got my hands on her latest release simply titled Live 2016 that I heard her sing and what a voice she has been gifted with! Not only can she sing but her delivery has a swagger to it that is infectious. I have yet to see her perform live but I am hoping to remedy that in the not too distant future. Here is the lead song from her Live 2016 album which introduced me to her. 






With a name like Afrodyssey Orchestra it's not difficult to guess the style of music these guys play. This being said, while the Afrobeat elements are most certainly there this music is not straight out Afrobeat and incorporates various elements from the Jazz and World genres also which is perhaps what makes me like it so much. Hailing from Athens, Greece these guys are further evidence of the thriving music scene in Greece that is only getting better. Here is an interpretation of a well known traditional folk tune from Greece which is how I came to know of this band.





Los Petit Fellas hail from Bogotá, Colombia and are very similar in style to Electro Deluxe who I mentioned earlier. The Rap elements of the music for my personal tastes can sometimes be a bit much (just like with Electro Deluxe) but the instrumentation is drawing on classic funk which is right up my alley. Once again this is happy music made for dancing and I need to thank another friend of mine Mariana for putting me onto these guys. Here is the song that lead me to discovering this band:








Monday, 6 November 2017

OOLLUU live @ Bar Open 4th Nov 2017


I’ve seen many a live show since my last live review many moons ago and while there have been some great shows none have inspired me to put pen to paper (metaphorically speaking) so I can tell the everyone willing to listen about what I witnessed.
There were 4 acts in total on the bill this night but I was there to see one & one only and that was OOLLUU. I had seen these guys once before opening for another great act Glasfrosch and was thoroughly impressed but that was a mighty long tome ago. Were they really as good as I remember…? Would they live up to my expectations…? Well to say that my memory served me correct and that they lived up to my expectations would be an understatement. They were ginormagantuanly, fantasmagorically amaze balls!
OOLLUU play a style of music that I really don’t know how to describe. It’s electronic, but it’s heavy. It’s rock music, but there’s no guitar. It’s intense, but it’s poppy and danceable. There’s many contradictory elements in their music and things that probably shouldn’t fit together that somehow seem to blend wonderfully well and create a soundscape that will leave you on a euphoric high once it’s over.
Playing to a crowd of roughly 50 people on a “stage” that barely fit the band on it the performance these guys put on was a thing to behold. Stage right was Bassist Davarj who in his mind I’m sure was playing to a sold out crowd at Wembley Stadium or Madison Square Garden. Stage left you have Ehsan on Synths (“fluent in 3 languages… Linux, IOS and Windows”) who while is somewhat restricted in movement was no less a giving it his all. The interaction between these 2 “frontmen” of the band was fantastic and a joy to watch. The smiles on their faces as they were playing evidence of just how much they were enjoying themselves. Lastly, hidden from view slightly was Drummer Ben Crook who was driving the band like his life depended on it.
Sure there were a couple of little mistakes, but the crowd most certainly didn’t mind (or probably even notice) and I’m sure these guys gained a few more fans on the night. 

There were 2 more bands on after OOLLUU and while I’m sure they put on admirable performances I didn’t stick around.