Album Review: My Dynamite - Otherside

Australia’s very own version The Black Crowes are back and they mean business. With 9 tracks of country blues rock Otherside is an album that has been in the pipeline for a while now and boy oh boy am I glad it has finally been released. If you own any album by The Black Crowes then this album has to be added to your collection.
My Dynamite wear their Black Crowes influences clearly on their sleeves for all to see and make to apologies about it. While it may be easy to dismiss this band as simply being clones, I dare anyone to put this album on and not sing along to the infectious choruses of songs like the lead single Witch Hat, State We’re In etc. Even though the Black Crowes influences are clearly there for all to see, this is an album that will also sit comfortably next to releases by The Allman Brothers, Lynyrd Skynyrd and their ilk. If you already own music by the aforementioned bands then grab yourself a copy of this album and if you don’t and don’t intend on adding anything by these bands to your collection in the foreseeable future then quite obviously this album is not for you.
My Dynamite have found their winning formula and are sticking to it. You will find all the usual ingredients that a band playing this style of music throws into the mix. Slide Guitar, Lap Steel, Harmonica, warbling Organ lines filling in the gaps in the background and Gospel style backing Vocals provided by the awesomely talented Eliza and Talei Worgramm (check out the Wolfgram Sisters Album you won’t regret it!). 
Otherside is 45 minutes of pure unadulterated safe southern blues rock bliss that colours well within the lines and there nothing wrong with that. My Dynamite know their audience and deliver for them exactly what they want to hear. Now if only mainstream radio would pick up on this album and start playing it you’d no doubt see this band scoring opening slots for stadium acts and headlining much bigger shows on their own.

Album Review: Back In Blue - A Blues Tribute to AC/DC

A blues tribute to a classic Australian Rock album... an interesting idea? I certainly thought so.
With a list of players of this caliber this album was guaranteed to be good, but this is beyond just good it’s great. Of course, when listening to these reinterpretations of AC/DC’s classic Back In Black album you will almost certainly be comparing them to the original recordings released all those years ago and which have now surpassed the 20 Million mark in sales which begs the obvious question of "do these reinvented recordings live up to the originals?" Truth be told, I couldn’t tell you as I don’t think I have ever listened to Back In Black in full! (yes you read that right) What I do know, is that there are some absolute gems on this release.
Here’s is my track by track musings of the release, read on if you choose or base your to buy to not to buy verdict on my above paragraph.
Kicking off proceeding is local blues guitar hero Geoff Achison with Jane Michelle on Vocals playing a bluesy ballady version of the rocker Hells Bells. The song starts off with snippets of news stories regarding the death of Bon Scott which automatically gives you a feel for just how big a story this was back in the day. Geoff’s slide playing is of course great and Jane’s Voice is a hell of a powerful weapon but somehow this version seems to fall ever so slightly flat somehow. 
Things pick up from here with the Blues swagger of Shoot to Thrill, then it’s onto track 3 What You Do For Money Honey featuring the Vocal styling of Janis Joplin clone Gail Page with Jan Rynsaardt of The Arc Riders on Guitar. One of the highlights of the album the overdriven slide guitar together with Gail’s scratchy Vocals prove yet again that while "super producers" slave over layer upon layer of overdubs and trying to make everything sound as polished as possible sometimes all you need is one Guitar and a Singer and a stomping Blues tune to make people sit up and take notice.
Given The Dog a Bone gets a ZZ Top - La Grange style treatment with a somewhat strange Rap breakdown, Let Me Put My Love In You as performed by Shaun Kirk becomes a broody pine with a somewhat Love Ain’t No Stranger by Whitesnake feel to it.
Lachy Doley is up next once again using his croaky drawl to full effect on Back In Black on a stomping pedal to the metal version which is less blues and more rock minus the guitars but with some great Deep Purple-esque sounding fuzzed up Hammond Organ grooves and even an Organ solo. (Check out his live shows if you haven’t already people you won’t be disappointed).
If you have ever heard Sarah McLeod of The Superjesus perform her acoustic ballady version of You Shook Me All Night Long you might know roughly what to expect of 8 Ball Aitken’s interpretation of the song also. But while there are certain similarities between the 2 interpretations 8 Ball most definitely cranks the Blues factor up to 11 with another yearning type vocal delivery (with added ooh’s and ahh’s for effect) and some great reverb laden slide guitar playing. Lachy Doley once again makes an appearance on keys while Vika Bull’s backing vocals lift the tune into the stratosphere.
With only 3 songs to go you find yourself thinking this is too cool I can’t wait to hear what’s next.
Have A Drink On Me is performed brilliantly by Genevieve Chadwick on acoustic guitar, no real re-interpretation here but there’s no need when the riffs work just as well on Acoustic as they do on a Cherry Red Gibson SG.
The rhythm section is where it’s at with Shake A Leg. The only thing to say about this tune is hot damn has it got a groove to it! Complete with Harmonica & Sax solos and outros which I’m still trying to figure out if I like or not (not that they’re badly performed or don’t fit the song per se it’s just that I think I might have preferred to hear that groove run straight through uninterrupted).
Last but most certainly not least (and according to some, leaving the best until last) comes Australian blues royalty with Lloyd Spiegel… It’s Lloyd Spiegel doing AC/DC, that’s all that need be said about this one!  
Once again this is a great idea executed very well. Add to this that all profits from this release will be donated to the Beyond Blue charity who do some great work for helping people suffering from depression as well as providing a better understanding of what depression is for people who perhaps have a “just snap out of it” mentality towards depression and you can’t go wrong.
Find it on Itunes or JB Hi-Fi online

Album Reviw: Dana Fuchs - Broken Down Acoustic Sessions

So I just discovered this awesome singer that's new on the scene and I just had to tell the world how awesome she is. Her name is Dana Fuchs... what's that...? she's not new...? OK, well she's kinda new... What's that you say...? She released her 1st album in 2003? Well why didn't somebody tell me about her before dammit?!
OK I admit it, I dropped the ball on this one. Dana has been around for a while now and her name will probably be familiar to many but once again for me it was a case of, "I'll get around to it when I have the time" and then never did. Just recently her name popped up again with the release of her latest album Broken Down Acoustic Sessions so I figured I'd finally see what she was all about. As the title of the album suggests these songs are acoustic interpretations of songs which appear on some of her previous releases plus some extra's.
Dana has a voice that is instantly recognisable, a gravelly rasp that will almost immediately draw comparisons to Janis Joplin. In fact, Dana has actually played Janis in a stage production Love, Janis and you can see why she would have been chosen do to so, given that at times you can almost be mistaken that you are listening to Janis herself. While the comparisons are justified, make no mistake, Dana is not to be simply dismissed as just another Janis clone. She owns these songs and sings with feel and emotion that draws you in and makes you listen intently to what she is delivering. Mixing blues, soul and pop with a slight hint of country this album is perfect lazy, rainy day listening. Primarily made up of ballads and mid-tempo tunes this is not an album that you will be turning up to 11 so as to piss off the neighbours, but damned if it isn't a toe tapper, a tear jerker and well, just an awesome album all round.
Having released her last 4 albums on the German label Ruf who also have/had Samantha Fish, Joanne Shaw Taylor, Royal Southern Brotherhood, Devon Allman and many other modern blues artists on their roster, this should give you an idea what to expect. In short this yet another quality blues release from a brilliant artist that should be getting a hell of a lot more attention than what she is.
If you have not heard Dana Fuchs before, this is a damn good place to start.